Rome dedicates for the first time a monographic exhibition to Medardo Rosso. It is the National Roman Museum which, in the Palazzo Altemps headquarters, presents the ambitious exhibition in collaboration with the Galleria d’Arte Moderna in Milan from 10 October 2019 to 2 February 2020 and with the support of the Medardo Rosso Museum in Barzio, with the organization and the promotion of Electa.
The unprecedented selection of works in wax, plaster and bronze, and their transformations, combined with the collection of sculptures of Palazzo Altemps investigates, as never before, the relationship with the ancient and the concept of copying in Medardo Rosso.
An exhibition-event focused on the link between Antonio Canova and the city of Rome, with over 170 works and prestigious loans from important museums and Italian and foreign collections.
Framed within an installation of great visual impact, over 170 works by Canova and some contemporary artists enliven the rooms of the Museum of Rome in Palazzo Braschi. The exhibition tells in 13 sections Canovian art and the context that the sculptor found when he arrived in the city in 1779.
Through sophisticated lighting solutions, the warm atmosphere of torchlight is recalled along the exhibition route, with which the artist, at the end of the eighteenth century, showed his works to the guests, at night, in the atelier in Via delle Colonnette.
Palazzo Braschi Museum of Rome: until 15 March 2020
At the Stadium of Domitian was opened the exhibition “The art of not-violent love in ancient Rome”, a collaboration between Codacons and MANN. It is a real “path” in eroticism through art and works kept at the Museo Archeologico Nazionale in Naples.
The initiative will be open to middle and high schools throughout Italy to explain to students, through the help of psychologists and experts, the relationship between affectivity and sex, integrating psychology with art in order to identify a different key to speaking to young people of love, eroticism and sensuality and fighting the phenomena of bullying and violence against women, unfortunately constantly growing in Italy.
The exhibition will be open until November 6th 2019.
From April 25th to May 26th 2019 the 62nd edition of the World Press Photo will be held in Rome, at Palazzo delle Esposizioni.
The exhibition, conceived by the World Press Photo Foundation of Amsterdam, promoted by Roma Capitale – Assessorato alla Crescita Culturale and organized by Azienda Speciale Palaexpo in collaboration with 10b Photography, will host the 140 finalist photos of the prestigious photojournalism contest, which from the 1955 awards the best professional photographers every year, thus helping to build the history of the world’s best visual journalism.
Paolo Di Paolo. Mondo perduto curated by Giovanna Calvenzi
17 April 2019 – 30 June 2019 – MAXXI, the National Museum of 21st Century Arts.
A delicate, rigorous and wise recount of an Italy emerging from the ashes of the Second World War.
This exhibition presents an extraordinary chronicler of the Italy of the Fifties and Sixties who published more than 500 photographs in the weekly Il Mondo, portraying created by the famous journalist Mario Pannunzio, protagonists of the worlds of art, culture, fashion and film along with ordinary people.
Among his photos, rediscovered after more that 50 years of neglect, are those of Pier Paolo Pasolini at Monte dei Cocci in Rome, Tennesse Williams on the beach with his dog, Anna Magnani with her son on the Circeo beach, Kim Novak ironing in her room in the Grand Hotel, Sofia Loren joking with Marcello Mastroianni in the Cinecittà studios. And then a family seeing the sea for the first time at Rimini and the devastated faces of the people at the funeral of Palmiro Togliatti.
Main sponsor Gucci
This exhibition shows forty-five works and focuses on some of the themes that distinguish the work of Robert Mapplethorpe (1946-1989): his study of still lifes, landscapes, classical sculpture and Renaissance composition.
The photographs have been selected and arranged in Galleria Corsini with several different aims: to highlight the aspects of Mapplethorpe’s work that resonate particularly with Galleria Corsini, a space — in both physical and conceptual terms — dedicated to collecting, in order to forge a new relationship between visitors, the works and the areas within the gallery.
The title You Got to Burn to Shine, borrowed from the famous collection of poems by the American poet, artist and performer John Giorno, underlines the complexity of the individual in being in the world.
The exhibition, curated by Teresa Macrì, has the ambition to narrate, through a game of references and connections, the discordances and processes of redefinition of the world-system and its aesthetic interpretation in the post-ideological era.
Artists on show: Francis Alÿs, Bertille Bak, Elena Bellantoni, Jeremy Deller, Roberto Fassone, John Day, Luca Guadagnino, Mike Kelley, Krištof Kintera, Domenico Mangano and Marieke van Rooy, Fiamma Montezemolo, Luca Vitone, Sislej Xhafa.
Roma Galleria Nazionale d’Arte Moderna.